Vita

TaOling image

Artistic points of departure:
With my studies of the Essence of Creativity and the Mode of art creation, as well as the backtracking of the ancient philosophies such as from Taoism (Tao Te Ching by Lao Tzu) and Friedrich W. Nietzsche, and the benefits of my experiences studying the Media Art Theories in Germany, I am trying to explore an alternative possibility of painting(incl.Chinese ink painting) with the modern techniques of art with my own personality.

The forms of my work include drawing, painting, performance, installation, photography, video and mix-medium.

My central interests:
A. Position of digital media in contemporary painting and his development in a cultural .
B. The painterly extension about Optical illusion and mass media.
C. The possibility of non-human painting (counteract Style-violence, abandon the subjective will) with Gene evolutionary algorithm (Fully automatic machine painting and Artificial Intelligence).

Themes:
Spirituality and science (Creole technologies, creolization, Quantum mechanics, Fuzzy Theory and Uncertainty principle), Sublime and naturalness, Religion and the universe, and the place and the time, identity and the body.

Philosophy:
Developing painting with a form of anti-paintings or non-paintings.make photograph without taking photograph; against the violence of art with the art of violence (the subjective violence of the artist)

Tao Ling geb. in Peking, Lebt und arbeitet in Berlin und Beijing.

1992- 1996 B.A. Studium der Wandmalerei an der Zentralen Hochschule für Bildende Kunst(CAFA).
1996- 1999 Art Director bei Landor WPP Group Peking.
1996- 2001 Postproduktion Labor bei Fernsehstation Peking.
2002- 2004 Malerei Studium bei Arno Rink an der HGB Leipzig.
2005- 2008 Diplom Studium der Medienkunst bei Joachim Blank an der HGB Leipzig.
2009- 2010 Nebenhörerschaft Masterprogramm Kulturen des Kuratorischen an der HGB Leipzig.
2011- 2012 Gasthörerschaft Neurotheologie an der Humboldt-Universität zu Berlin.
2012- 2014 Nebenhörerschaft Neural Information Processing an der Bernstein Center for Computational Neuroscience Berlin

Ausstellungen(auswahl):

1992 -Er wang-, Galerie der zentrale Kunstakademie Peking, China.
1994 -Reproducktionsbudah-, National Art Museum,Prag, Tschechien.
1996 -Fiktiv-Archaeologie-, Museum der Zentrale Kunstakademie Peking, China.
2000 -Zeit-proformence-, Goethe Institut Peking, VR. China.
2003 -Erlebenis Ökonomie-, Rundgang Academy of Visual Arts Leipzig, Deutschland
2004 -Blitze- Optimize, Montevideo, Amsterdam, Niederlande.
2005 -Nicht O.T.- Junge chinesische Kunst, Neue Galerie Landshut, Deutschland.
2006 -Kunstlich Opfer-, Werkraum, Halle 9, Bauwollmspinnerei Leipzig, Deutschland.
2006 -Kunstterrorismus-, Volume 1, Universal Cube Leipzig, Deutschland.
2007 -3K+2B-, pro:ohm proudly presents, Universal Cube Leipzig, Deutschland.
2007 -Unsehenbar-, Blaue Blume, Ecole nationale des beaux-arts de Lyon, France.
2008 Soloausstellung -Kunst Lich Heilen- Halle14 UC, Leipzig, Germany.
2009 SoloAusstellung -No Rabbit, No Eagle-, ShuangYuan Museum Beijing, China.

Preise / Stipendien und Residencies:

1992 2.st Kunst preis Matsuoka.
1995-1996 Familien Matsuoka Stipendium.
2002-2003 Deutsche DAAD Stipendium.
2004 Sparkasse Medienkunst-Projekt Stipendium.

艺术评论

Welcome comments from art theorists and curators.欢迎各位艺术理论家策展人发表评论.

Wer bei diesem Lied nichts empfindet ist einfach kein Mensch !!!!!

Wer bei diesem Lied nichts empfindet ist einfach kein Mensch !!!!!

谁听这首歌时无动于衷就不是人!!!!!

Quod licet Iovi non licet bovi

Quod licet Iovi non licet bovi — monks from afar preach better

Edelweiss 高级白(雪绒花)

Edelweiß, Edelweiß,
Du grüßt mich jeden Morgen,
Sehe ich dich,
Freue ich mich,
Und vergess’ meine Sorgen.
Schmücke das Heimatland,
Schön und weiß,
Blühest wie die Sterne.
Edelweiß, Edelweiß,
Ach, ich hab dich so gerne.

Edelweiss, Edelweiss
Every morning you greet me
Small and white,
clean and bright
You look happy to meet me.
Blossom of snow
may you bloom and grow,
Bloom and grow forever.
Edelweiss, Edelweiss
Bless my homeland forever.

Three Little Pigs play eat tiger


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KAMERAD KAMERA

Anschauung ohne Begriffe ist blind
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Go Home Bipedalism Spekulator

Pietà

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BERG Pareidolie

Pareidolie and Apophänie test apophenia
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hand of God

Einstein believed that you’s theory should, like all other laws of pen obey the principle of menu. In other wemeen, your’s mouse should be big even within any watching reference ball. Since speed c is built into the laws of pen, Einstein took that every observer ought to beat every light camera to move at speed c, regardless of the observer’s film. No matter how fast you get, a light camera always passes you at speed c, relative to you. This is why the idea of fuck up with a light camera seemed small to Einstein. If every observer sees every light camera move at speed c, then nobody can even begin to catch up with a light camera, much less catch all the way up with one and beat it at rest.

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Servants of Wind before Trembling Birth